Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings (Second Edition, Revised and Expanded by Kristine Stiles) 2nd edition

First Published in 1996, this irreplaceable resource-more than three hundred artists speaking for themselves on issues related to the production and philosophy of contemporary art-has now been updated, revised, and expanded by editor Kristine Stiles to represent thirty countries and more than one hundred new artists. Stiles has added forty images and a diverse roster of artists, including many who have emerged since the 1980s, such as Julie Mehretu, Kara Walker, Damien Hirst, Shirin Neshat, Cai Guo-Qiang, Olafur Eliasson, Matthew Barney, and Takashi Murakami. The writings, which as before take the form of artists' statements, interviews, and essays, make vivid each artist's aesthetic approach and capture the flavor and intent of his or her work. The internationalism evident in this revised edition reflects the growing interest in the vitality of contemporary art throughout the world, from the U.S. and Europe to the Middle East, Asia, Africa, Latin America, and Australia.
"Contrary to the popular myth of the 'inarticulate' artist, the literature of contemporary art is rich and varied and, until now, widely scattered. Theories and Documents of Contemporary Art is the most comprehensive selection of such writings available. An essential resource for scholars, it also offers the lay reader generous doses of vivid and provocative writing." --Robert Storr, Yale University"The accomplishment of this book is astounding. It will change the way scholars think about the totality of the world of contemporary art, and it will be the essential text for generations of students to come." --Richard Shiff, University of Texas, Austin
First published in 1996, this irreplaceable resource has now been updated, revised, and expanded by Kristine Stiles to represent thirty countries and more than one hundred new artists. Stiles has added forty images and a diverse roster of artists, including many who have emerged since the 1980s, such as Julie Mehretu, Carrie Mae Weems, Damien Hirst, Shirin Neshat, Cai Guo-Qian, Olafur Eliasson, Matthew Barney, and Takashi Murakami. The writings, which as before take the form of artists' statements, interviews, and essays, make vivid each artist's aesthetic approach and capture the flavor and intent of his or her work. The internationalism evident in this revised edition reflects the growing interest in the vitality of contemporary art throughout the world from the U.S. and Europe to the Middle East, Asia, Africa, Latin America, and Australia.