""From the first film shot in Korea in 1901 through early internet screen cultures in late 1990s South Korea, Cine-Mobility explores the association between cinematic media and transportation mobility-not only in diverse and discrete forms such as railroads, motorways, automobiles, automation, and digital technologies-but also in connection with the newly established rules and restrictions and the new culture of mobility, including changes in gender dynamics, that accompanied it"--
In Cine-Mobility, Han Sang Kim argues that the force of propaganda films in Korea were derived primarily from the new mobility afforded by transportation. Kim explores the association between cinematic media and transportation mobility, and its connection with the new culture of mobility, including changes in gender dynamics, that accompanied it.